I read the author’s intent as including several overarching goals, some stated and some implied. The first stated goal is to show that the Bible is a form of literature. This is proven by the full spectrum of literary forms that are used consistently across most Scriptural genres, in both the Old and New Testaments. This also demonstrates that the extensive use of literary forms by scriptural writers was deliberate. This is effective in making Dr. Ryken’s case. Check out Themonstercycle to learn more.
Second, having established that the Bible can be studied profitably as literature, the book seeks to analyze each Scriptural genre individually, briefly cataloging the literary devices used and a set of precepts for read the text with these in mind. Though a more complete academic treatment of each genre in possible, the book provides sufficient explanation, guidelines and examples to make each technique clear.
The area of the reading and application guidelines is where I would suggest that the book has a minor shortcoming. The guidelines or rules provided for each literary device, as applied to each genre, are scattered throughout the associated chapters. This is appropriate for initially explaining the techniques, but it is quite unwieldy in providing a set of tools for use in later application. The book would be greatly enhanced by the inclusions of either a.) an end of chapter listing of the genre guidelines developed in that chapter, or b.) an appendix listing the each genre and associated guidelines in summary. The inclusion of an appendix would be best. The guidelines themselves, however, are for the most part clear and relevant.
The third goal is implicit more than stated. Throughout the book, Dr. Ryken refers to the importance of experiencing the stories and other forms of the text, rather the viewing them as colds fasts to be intellectually supported. He states repeatedly that to ignore the experiential aspect is to miss much of the communication and the intent of the writers.
I would agree very strongly with this. I consider to be more significant that the guidelines provided for literary analysis. I have long held the conviction that though exposition requires a strong commitment to factual analysis, the text has much more to communicate though it’s literary form. From my experience this has been actively discouraged in the church in modern times, yet Dr. Ryken’s book shows that it was clearly the intent of the biblical writers that it be read this way. I was very heartened to see this and I consider it to be the most significant contribute of the book.
This book makes a successful case that the Bible, both as a whole and in individual portions, should be viewed as literature. As such, literary analysis should be an equal tool set beside traditional hermeneutic techniques. The book provides a concise synopsis of appropriate literary forms and associated techniques for analysis for the major biblical genres. The most significant proposal for bible study is that the stories and other genres be experienced as much as analyzed. A convincing case is made that the biblical writers included literary techniques in order to convey an experiential meaning that is beyond that which the plain doctrinal and proof text meaning are capable of imparting.
The text of the bible is demonstrated through structure and example to contain a richness of expression that is only fully received when view from a total engaged perspective. This perspective includes all the experiential, emotion and intellectual inputs supplied by the text, and these are partially communicated almost exclusively through literary form.
This book added a new hermeneutical and confirming dimension for me. It gave voice to my conviction of the importance of affective content in interpretation (something largely and proactively ignored in the Reformed community), and how that content is communicated.
Literary analysis has an important place in the interpretive process. I am not convinced that, as VP Long would propose in The Art of Biblical History, it must come before historical-grammactical and canononical analysis. However, I do feel it has an equal place with historical-grammatical techniques.
An excellent book.